HAAM filmudgave
Fortællende systemer · 24 billeder i sekundet
Narrative, character, atmosphere, and social impact
Film is where I learned to look for the human story inside every system.
I love film because it makes ideas tangible through people, places, rhythm, tension, and change. That way of seeing runs through HAAM. Many projects begin with character and narrative, even when the final form is a platform, an exhibition, a campaign, or an interactive product.
Åbningsbillede · 001
Film is where I learned to look for the human story inside every system.
Narrative, character, atmosphere, and social impact
Et udvalg af HAAMs film-, kampagne- og historiedrevne arbejde.IMDbLetterboxd
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01The biggest film project I ever attempted, and failed to finish. Originally called Tomé, I later renamed it Wê, meaning eyes in Forro, the local language of São Tomé. The film was conceived as a journey through paintings: entering each painting would open another narrative and another point of view, moving through different perspectives on life in São Tomé and changing whose eyes the islands were seen through.
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02Two 2012 Plataforma CAFUKA public-space interventions at Martim Moniz, reconstructed through artist histories, period programme material, and the surviving film CAFUKA URB12 HD.
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03Choosing which African films and stories Lisbon met, director liaison, programme building, and coaching people to speak once the lights came up.
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04A character-led narrative cut with locked master, poster art, and production stills, film craft organised as carefully as a product archive.
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05壓力很大 / 落葉也有未來 — dance under falling leaves on the NCKU campus in forest, school, and comedy cuts.
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06A ~2:50 NCKU Experience short about love outlasting COVID-era distance — speculative romance with a locked FULL HD cut from March 2020.
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07A ~5-minute chamber cut where dance and live violin invent the piece together — improvisation as the whole score.
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08A documentary-centered campaign that used one woman's story to create a wider public conversation about domestic violence, responsibility, and the choices available to a community.
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09Twenty short documentaries and a large photographic field archive preserve traditional therapists, agriculture, food, endangered crafts, medicinal plants, and intergenerational knowledge alongside the project's structured plant records.
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10A lived photographic record becomes an explorable journey with a character, a horse, a landscape, and a destination, carrying cinematic pacing into an interactive form.
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11A stage, identity, and digital platform built around people telling stories from their own experience and making local ideas travel further.
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