Tööjälg / 2002 → tänaseni
HAAM on praegune nimi digipraktikale, mille algus ulatub 2002. aastasse. Haamer Ventures OÜ tuli hiljem, 2008. aastal. See ajajoon hoiab need faktid lahus ja seob aastad siiani olemas oleva tööga.
Sõnastus loeb
„20+ aastat digipraktikat“ on täpne väide. Juriidiline ettevõte on eksisteerinud alates 11. juulist 2008. Selle asemel et neid kahte kokku sulatada, näitab ajajoon töö algust, säilinud avalikku tõendusmaterjali ja ettevõtte registrisse jõudmist.
Vaata kõiki juhtumiuuringuid ↗Valitud tõendid
Siin ei ole iga projekti. Need on dateeritud pidepunktid, mis teevad ajavahemiku nähtavaks avalikust Wi-Fist ja filmist kultuuritaristu, uurimistöö, tootesüsteemide ja AI-ni.
2002 →
Public traces place WiFi.ee in 2002, alongside the start of the digital practice. The current WiFi.ee case study uses 2004 for the beginning of its public mission, so both dates stay visible rather than being collapsed into one cleaner story.
2004 →
The current HAAM case study dates WiFi.ee's public mission to 2004: a map and directory for secure public Wi-Fi in Estonia that is still being rebuilt and maintained today.
Tõend
11 July 2008
This is the clean legal milestone. The Estonian e-Business Register records Haamer Ventures OÜ, registry code 11516600, as registered on 11 July 2008.
2009–2014
Wê began in November 2009 as the documentary Tomé, then expanded through painting, writing workshops, field production, story experiments, and digital extensions.
2013
Work such as Cindy Baptista connected visual identity, portfolio structure, expressive education, and a live web presence instead of treating design and implementation as separate handoffs.
2017 →
The Estonian Academy of Arts, 100 Objects from Finland, and Life in Finland move the work toward multilingual publishing, public-service journeys, archives, governance, and systems that have to survive years of change.
2018–2021
World Cleanup Day brings global campaign traffic, multilingual onboarding, locally organised recruitment, live-event pressure, and infrastructure scale into one public product.
2019–2025
Green Filter grows into six years of work around sustainable shopping, personal finance, mixed-methods research, trust, conversational AI, and cross-device interaction design in Taiwan.
2021 →
Narva Art Residency extends the institutional thread through artist applications, public programmes, archives, education, multilingual content, and the ongoing work of keeping a cultural platform useful.
2024 →
Viirus Theatre and Repsal Busholmen make calendars, tickets, capacity, languages, space information, booking requests, and coordinator work part of the same interaction problem.
Now
Current HAAM work combines research, product judgment, interaction design, implementation, APIs, automation, and AI agents. The tools changed again; the responsibility for making the whole thing understandable did not.
Järjepidevus, mitte nostalgia
Kahekümne pluss aasta väärtus ei ole number ise. Oluline on näha, kuidas liidesed, platvormid, organisatsioonid ja tehnoloogiad muutuvad, samal ajal kui töö jääb äratuntavaks: teha keeruline asi piisavalt arusaadavaks, et seda kasutada, ja piisavalt kestlikuks, et see töötaks edasi.
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